DaBaby’s ‘POP DAT THANG’ Hits #29. Highest Charting Song in 5 Years

A comeback does not always arrive with fireworks. Sometimes, it arrives with a slow climb and a Coachella co-sign. DaBaby’s POP DAT THANG has officially become his highest charting song in 5 years, hitting a new peak of #29 on the Billboard Hot 100. The milestone ends a half-decade drought for the Charlotte rapper.

The song has been building momentum for weeks. But the real acceleration came when David Guetta played a remix of the track at Coachella. The festival crowd’s reaction translated into streams, and the streams translated into chart movement.

The DaBaby POP DAT THANG chart success did not happen overnight. The track was released with modest expectations. DaBaby had been relatively quiet on the music front, focusing on independent releases and rebuilding his audience after several controversial years.

But the song caught on organically. Social media clips of crowds reacting to the bass-heavy track went viral. Then Guetta stepped in.

David Guetta played a remix of POP DAT THANG during his Coachella set. The moment was captured from multiple angles and shared across platforms. For DaBaby, who has faced industry distance since 2021, the endorsement from a global EDM superstar signaled something important: the industry was ready to let him back in.

The highest charting song in 5 years title now belongs to “POP DAT THANG.” The last time DaBaby saw these numbers was 2019, during the “Suge” and “BOP” era.

Between 2019 and 2020, DaBaby was one of the most reliable hitmakers in hip hop. “Suge” peaked at #7. “BOP” hit #11. His album Kirk debuted at #1. He was everywhere — features, festivals, commercials.

Then came the 2021 Rolling Loud controversy. His comments about LGBTQ+ communities and HIV/AIDS led to widespread backlash. Festival bookings dried up. Radio play stopped. Collaborators distanced themselves.

For nearly four years, DaBaby’s chart presence was minimal. Occasional independent singles came and went. But nothing cracked the Top 40. Until now.

The phrase highest charting song in 5 years is precise. DaBaby’s last Top 40 hit before “POP DAT THANG” was 2019’s “Intro” and “Vibez,” both of which peaked in the 20s. Since then, his singles either charted low or missed entirely.

The gap reflects both his exile from mainstream playlists and his choice to release music independently rather than through major label pushes.

The track itself is classic DaBaby: booming 808s, repetitive ad-libs, and a hook designed for clubs. It does not try to apologize, explain, or reinvent. It simply bumps.

That simplicity may be the key to its success. After years of controversy, DaBaby is not asking for forgiveness. He is asking you to dance. And apparently, enough people said yes.

Produced with a minimalist trap beat, POP DAT THANG leaves space for DaBaby’s signature flow. The lyrics are not introspective. They are functional, built for gym playlists, car speakers, and festival drops. The David Guetta remix adds a house music pulse, stretching the track into new territory.

A #29 peak is not a #1. But for an artist who was effectively blacklisted from major festivals and radio, it represents a crack in the door. The DaBaby POP DAT THANG chart achievement proves that audiences are still willing to stream his music when it connects.

Whether this leads to a full commercial revival remains unclear. One Top 40 hit does not erase years of lost relationships. But it does provide leverage. Managers, promoters, and labels pay attention to Billboard data.

David Guetta has a history of reviving careers. He gave Sia her first major pop hit. He reintroduced Kelly Rowland to dance charts. His decision to play POP DAT THANG at Coachella was not random. Guetta sees trends before they happen.

For DaBaby, that validation matters more than the chart position itself. A respected DJ playing your song at the biggest festival in America signals to other gatekeepers that the coast is clear.

Fans have celebrated the milestone across platforms. Many pointed out the irony: DaBaby’s highest charting song in five years is not a deep apology or a vulnerable ballad. It is a mindless banger about dancing.

Others noted that the timing, five years after his peak, aligns with a general cultural softening toward canceled artists. Several controversial figures have successfully returned to mainstream favor in 2024 and 2025.

Not everyone is ready to welcome DaBaby back. Advocacy groups that condemned his 2021 comments have not changed their positions. Some radio programmers still refuse to play his music. The highest charting song in 5 years milestone may represent a commercial reality, but it does not represent universal acceptance.

The rapper has not announced an album or major tour. He appears to be testing the waters with singles. If “POP DAT THANG” continues to rise or stabilizes in the Top 30, a larger project becomes more likely.

He may also lean further into the dance music crossover that Guetta introduced. Hip hop and EDM collaborations have worked for artists like Jack Harlow and Kid Laroi. DaBaby’s aggressive delivery fits surprisingly well over four-on-the-floor beats.

DaBaby has largely operated independently since his major label deal became strained. That independence means lower overhead but also fewer promotional resources. The DaBaby POP DAT THANG chart success happened without a massive marketing budget. That makes it more impressive and more repeatable.

Five years between Top 40 hits. A Coachella remix from David Guetta. And a #29 peak that feels like a victory lap. DaBaby’s POP DAT THANG has become his highest charting song in 5 years, proving that audiences have short memories and longer playlists.

Whether this is the beginning of a full comeback or a one-off hit remains to be seen. But for one week in 2026, DaBaby is back on the Billboard Hot 100. And in the music industry, that is never nothing.